Mohamed L'Ghacham
Paris (France)
2022
Le Mur Oberkampf
This weekend I have been in Paris painting one of the most classic walls of the city. Thank you very much to all the team of Le Mur for making it possible and for the invitation.
And thank you PDP Gallery for the good moments.
Barcelona (Spain)
2021
Djerba, (Tunisia) 2021
curated by: Galerie Itinerrance
This is one of the murals I painted on the island of Djerba these days. Many thanks to all the DJERBAHOOD team for making this possible and for the invitation.
Thank you Mehdi, Fatma, Cyrine and Yasin for all the work and the good times.
And a special thanks to Fatma and Najiba for letting me paint them in such a special moment, for their hospitality and for preparing such a spectacular meal every day.
Djerba, (Tunisia) 2021
curated by: Galerie Itinerrance
This is one of the murals I painted on the island of Djerba these days. Many thanks to all the DJERBAHOOD team for making this possible and for the invitation.
Thank you Mehdi, Fatma, Cyrine and Yasin for all the work and the good times.
And a special thanks to Fatma and Najiba for letting me paint them in such a special moment, for their hospitality and for preparing such a spectacular meal every day.
with Alba Trench
Los Realejos, Tenerife, Canary Islands (Spain) 2021
Seisdedoce
Curated by Kob Tropical
These days I had the opportunity to paint in Tenerife with the talented Alba . Thank you Kob and Sabotaje al montaje for the good moments.
Castelsaraceno, Potenza (Italy)
2021
“UBUNTU. Arte pubblica in tour”
Maap arte pubblica
Curated by Valeria Palleschi, Stefania Dubla and Maria Antonietta Clotilde
📷 n 9 n 10 by Mattia D’Annucci
The second mural of this very special project. Many thanks to all the people who are making it possible.
San Chirico Raparo, Potenza (Italy)
2021
“UBUNTU. Arte pubblica in tour”
Maap arte pubblica
Curated by Valeria Palleschi, Stefania Dubla and Maria Antonietta Clotilde
📷 n 9 n 10 by Pier Paolo Sarra
This is the first mural of one of the most special projects I have worked on in recent years.
Together with Map arte pubblica we are collaborating with the migrant community of San Chirico Raparo, Castelsaraceno and Matera. During these weeks we are doing some activities and murals in different villages in the south of Italy.
Thank you very much Stefania Valeria and Clotilde for making this possible and for trusting in my work.
Thanks to the children of the centre for unaccompanied minors for this special week.
Camo, Piamonte (Italy)
2021
The first of the four murals I'm doing these days in Italy.
Many thanks to the people of Camo for their hospitality and their trust in letting me paint the first mural of the village.
Thanks Marinella and Claudio for making it possible.
Polinizados x Hyuro
Valencia, Spain 2021
I had the honour of meeting Tamara a few years ago, and since then our conversations have turned around two main themes: her children and how important they were in her life and in her work; and on the other hand, the sincerity and commitment necessary to paint in the street.
Beyond the sensationalism and the desire to please everyone, she was able to empathise and dialogue with the spaces where she intervened. Explaining the most complex problems in the simplest way.
At a time when murals have generally become works of decoration and speculation, it makes more sense than ever to remember her work and her philosophy. To ask ourselves again why we paint and what we want to achieve with the imposition of large format images in public space.
I will never be able to thank you for trusting my work so much and giving me so many opportunities. Unfortunately I don't have enough talent to make a work worthy of your memory, but there you have my small gift in gratitude for everything.
It has been an honour to be part of such a special project with such good friends.
Thank you Juan Canales and the UPV for making this possible.
with Alba Trench
El Masnou (Spain) 2021
Small mural painted at home with alba a few weeks ago during one of the times we had to be in quarantine.
Cheste, Valencia (Spain)
2020
I've been thinking for a while about painting something related to the situation we've all been living for a few months now and finally last week I had the opportunity.
Many thanks to Toni and Ele Man for making it possible and to the family of Alba for allowing me to paint them.
Hervás, Cáceres (Spain)
Muro Critico 2020
This week I had the opportunity to paint in an incredible environment. Thanks to Muro Critico for trusting my work and inviting me to be part of their project and to Chefo, Diego, Sojo and Isabel for the good times.
Wevelgem (Belgium)
All About Th1ngs 2020
This week I had the opportunity to paint in one of the social buildings in Wevelgem, a small town near Brussels. Thanks to all the neighbours for their good reception and hospitality, especially to Sandra for allowing me to paint her portrait with her family.
None of this would have been possible without Bjorn, Thierry and Sanne .
Thank you for trusting my work again.
Torrellas, Zaragoza (Spain)
GUAU 2020
This week I had the opportunity to paint a wall after a few months.
Thank you very much to all of you who dedicate part of your time to follow and support my work.
Thanks Guau Festival for trusting my work and to LIly brick, Alberto Montes and Vicente for this incredible week and especially to Aina Carafi for letting me paint a little bit of her life.
schiedam (Netherlands), 2019
Many thanks to Rod for trusting in my work and Sober industries for making it possible.
Girona (Spain), 2019
Los Angeles, California (USA) 2019
Los Angeles, California (USA) 2019
with Alba Trench
Los Angeles, California (USA) 2019
This is one of the murals I will be painting in Los Angeles these weeks.
Thanks you PDP Gallery for making possible.
Figueiró Dos Vinhos, (Portugal)
Fazunchar 2019
organized and curated by Mistaker Maker
These days, I have had the opportunity to paint in Figueiró dos Vinhos, a small village with less than 4000 inhabitants. Two murals that are based on the tradition and history of the village. In this region, until almost the end of the last century in the months of November, December and January, the pig was slaughtered. For some time now I have been interested in the meetings of people as a reason to paint and I find it interesting to represent in this work the scene of the meeting and the context in which it takes place.
Thank you very much Lara, Duarte and Tiago for the invitation and for this incredible week in Portugal.
